Binh
Danh (Vietnamese/Cambodian-American, b. 1977), Drifting Souls, 2000, chlorophyll print on leaf, resin, 14-1/2 x
32 inches, W. Sherman & Dorothy Burns Estate Fund Purchase, University of
Wyoming Art Museum Collection, 2010.3.1
As an artistic medium, photography is relatively
young compared to the long history of painting, drawing, and printmaking.
Photography from the Twentieth Century: The Art Museum Collection, Part II continues to examine the creative
vision of the photographer as artist and photography’s role in the development
of an American genre. Part I,
exhibited in 2012, explores portraiture and Pictorialism; Part II focuses on the innovations of
photography as an art form and the contemporary photographers’ dialogue on the
study of place. Innovations in
photographic methods beyond the early gelatin silver prints of the early
Twentieth century have expanded the creative boundaries for the photographer
with such advances as Polaroid film, large format color capabilities, and
alternative printing techniques such as chlorophyll prints. Following the Pictorialism tradition and with
innovative photographic techniques, contemporary photographers use the
landscape as their subject to create a contemporary discourse on the study of a
sense of place.
Opening on February 2, this exhibition will be on view through April 27, 2013.
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